2006 - WAITING FOR MAGDALENE OR THE FAIR OR THE CAULIFLOUER ENIGMA

WAITING FOR MAGDALENE OR THE FAIR OR THE CAULIFLOUER ENIGMA

THE VARIATIONS OF “THE LAST SUPPER” OF PANIKOS TEMBRIOTIS

What could have happened, at the anarchist, secret, overturning meeting (assembly) of the planet? The Writings and Their analysers, are in a position to inform us, in vexatious detail and scientific arguments, about it.

With reports to the cinema pictures of Pier Paolo Pasolini, at the plastic-kitsch time and in the role, that finally played or plays “the follower who betrays”, Panikos Tembriotis enters the ceremony of the “Last Supper”, insisting on the objects-tools, on the clothes-raincoats, on the wax replicas (models), on the baby-childish toys and on the question between “it is” and “it is not”, the teetering on the see-saw”. The gang is dignified. The woman, indisputably desirable and criminally forgotten.

The visual quest of the “Last Supper”, wakes up the following day. A bright portrayal of the “event” (of those sold in commercial fairs on religious festivities), a minimal-imaginary fruit and vegetable market offer its dawn enigma.